How to play piano on "Blue Eyes Crying in the Rain" part 2 - Chords and scales in E Major

Here is part two of the video series on how to play "Blue Eyes Crying in the Rain." This one gets into the E Major scale and the common chords in that key.

How to Play Piano on "Blue Eyes Crying in the Rain" as played by Willie Nelson.

Here is a new video on how to play "Blue Eyes Crying in the Rain" as played by Willie Nelson (sort of). There will be several more videos to follow in the series. You can always use these tricks on any popular song you may be interested in playing. Subscribe to the series by clicking here.

Chords for the Piano in Eb Major

Here are the basic triads in Eb Major.  Learning these along with the video will help you play songs in the key of Eb.

How to Play Chords for Popular Songs in F Major on the Piano

Playing through chords in every key is really helpful when practicing.  Here is the latest video on playing chords on the piano or keyboard.  Practice along with this to get your bearings in the key of F Major.  

You can apply the concepts to popular and rock songs immediately.  It's also helpful to do this for beginning jazz students and classical players.

Michael Stegner

Popular and Rock Piano Tips Part 2

This is the second video in this series of playing popular and rock piano styles.  It will expand on the previous concepts in the last video and add some more intricate rhythms between the hands.  You can try this with many popular songs that are played at this tempo.

Have fun.

Michael Stegner

Popular and Rock Music Piano Tips - Part 1

Here is the latest video on playing pop piano.  These are tricks that can be applied to many popular songs where there is a singer or a band.  It primarily focuses on the role of the piano in modern popular and rock music.  Have fun with this.

Why I'm celebrating Willie Nelson and his 80th birthday...

This Tuesday, April 30, will be the 80th birthday of Willie Nelson.  This has become a yearly holiday in my musical calendar the last five years. Andy Sells and I were playing a weekly gig across the street from my house at the Park Pub and randomly decided to do a Willie Nelson night on his birthday.  That was the first time I had sung at a show for over ten years.  I’m positive I didn’t sound very good. But I later discovered it wasn’t the point.

Relearning those songs triggered the awakening of a voice that I never realized I had.  This musical self-discovery is still in process as I hope it always will be.  But I think the right thing hit me at the right time.  And the right thing was the power of Willie Nelson’s musical vision and his artistic voice.

For years I had been guided musically by voices such as Miles Davis, Bjork, Prince, Joni Mitchell, Sly and the Family Stones, Squarepusher and Bill Frisell to name a few.  But as a small child I spent hours listening to vinyl and singing along with the Waylon Jennings and Willie Nelson classics.  I remember strumming along on the guitar as well - but I suspect I wasn't hitting the right chords.

Relearning those Willie Nelson songs brought me full circle musically.  It brought me back to the sounds that first mesmerized me.  These sounds made something gradually click for me.  The light bulb faded on slowly and I began to see the connection between Miles, Bjork, Prince, Joni and all the artist I had become enamored with over the years.  As I rediscovered the music of Willie Nelson, I discovered for the first time after many years the reason I always wanted to play music.

I realized I would never be a comfortable keyboard guy who could play the right part at the right time using the right sound.  Those gigs (which I have done a lot of) really stress me out because I can’t relate to that role very well.  But Willie’s music connected me to the source of what turns me on about playing and listening to music.  

Willie and wife Connie with Miles Davis

All of my musical heroes are considered rebellious because they didn’t conform to what the industry and society told them was ok.  This rebellion was not contrived to get attention, to gain a following, to shock the world into taking notice.  It was a rebellion that actually put us in touch with our true and most basic self.  It may or may not be intellectually or academically groundbreaking.  It is a sound and vision that strips away the unnecessary layers that society, politics, marketing, education, religion, the music industry and all institutions put between us and our own integrity.  It is sad that this constitutes as rebellion, but I suppose this is why we need rebellion and this is why we need heroes.

Willie Nelson is a hero figure in the classic sense.  He has been honest and open about his lowest points in life and shares them as equals to his peaks in life.  He has used his own suffering to evolve personally and musically.  He has broken down prejudices against gays, African-Americans, minorities, religious leaders and anyone who people don’t consider to have a place at the table - and has done so without shouting, screaming or being angry.  He does this with quiet grace and openness.

Musically, he exudes that same grace and openness as he courageously stays in each moment.  Always in tune with the room and the situation, he makes the song not just his own - but the listeners’ as well.  In the music business there is always pressure to play something the same way each time.  Willie makes sure he plays it the right way each time - not the same way.  He moves air with his sound that penetrates us to our true self.  And in my case awoke something that had been dying to come out for years.

So on yet another run of Willie Nelson birthday shows this upcoming week, I am very grateful for this true American treasure who is now turning 80 years old. 

I sincerely thank you Willie Nelson.

Michael Stegner

We’ll be celebrating his 80th at the Royal Room on April 30 at 8 p.m. - click here for tickets.

Twitter - @mstegner

Facebook - Michael Stegner Music